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8 January 1836 – 25 June 1912. Most renowned painters.

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Jacob Gerritz. Loeff, Monogrammist JGL
French man-of-war escorted by a Dutch ship in quiet water

ID: 92448

Jacob Gerritz. Loeff, Monogrammist JGL French man-of-war escorted by a Dutch ship in quiet water
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Jacob Gerritz. Loeff, Monogrammist JGL French man-of-war escorted by a Dutch ship in quiet water


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Jacob Gerritz. Loeff, Monogrammist JGL

Alternative names Jacob Gerritz. Loeff, Monogrammist JGL Description Dutch painter Date of birth/death c. 1606-1607 after 1670   Related Paintings of Jacob Gerritz. Loeff, Monogrammist JGL :. | Lady Sewing | Man universe,manipulator | Sencse of Smell (mk14) | Novgorod Kirche | Die Versuchung |
Related Artists:
CLAEISSENS, Pieter the Younger
Flemish Northern Renaissance Painter, ca.1500-1575
LEYSTER, Judith
Dutch Baroque Era Painter, 1609-1660 Dutch painter. A brewer's daughter, she had gained membership in the Haarlem painters' guild by age 24. Many of her known works, primarily portraits, genre paintings, and still lifes, were formerly attributed to her male contemporaries. Though the influence of Frans Hals is clear, she was also interested in the Baroque style of the Utrecht school. She embraced a greater range of subjects than other Dutch painters of the era
PERRONNEAU, Jean-Baptiste
French Rococo Era Painter, ca.1715-1783 French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,






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